Free PDF The Art of Etching (Dover Art Instruction)
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The Art of Etching (Dover Art Instruction)
Free PDF The Art of Etching (Dover Art Instruction)
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From the Back Cover
This is the first inexpensive republication of probably the finest work on the techniques of etching, drypoint, soft-ground etching, aquatint, and the allied arts. Lumsden, the renowned etcher, Associate of the Royal Scottish Academy, and author of the article on etching technique in the Encyclopaedia Brittanica (14th edition), was unsurpassed in his knowledge of the methods and the background of the art. His work is invaluable for the absolute beginner as well as for more advanced etchers, who will find it a matchless survey of various techniques and a major sourcebook for the history of their art. Professor Lumsden carefully and clearly explains each step in the creation of an etching, from essential materials to completed proof. Fifty-five figures in the text illustrate each implement and each phase in the process, while 24 annotated plates of etchings by the author exemplify every technique and approach that he discusses. Well acquainted with all the beginner's problems, the author shows you how to prepare etchings at home in the most economical way. He includes many different choices of method and a great variety of recipes and formulas, some dating from medieval times, and many virtually unobtainable elsewhere. His discussion covers grounds and grounding the plate; points, scrapers, burnishers, and gravers; mordants; plan of an etching room; methods of biting; printing; mistakes and their remedy; transferring; aquatint, drypoint, and mezzotint; flattening and mounting; restoring; and every other aspect of etching. In addition to these valuable practical lessons in etching, the book also features a rich historical survey of the art, illustrated by 105 annotated plates, and containing a full description of each artist's oeuvre and techniques. Fullest coverage is given to the central position of Rembrandt (27 plates) and Goya (8 plates), but such men as Callot, Piranese, Durer, Leyden, Hogarth, Blake, Whistler, and 35 others are also included.
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Product details
Series: Dover Art Instruction
Paperback: 384 pages
Publisher: Dover Publications (January 25, 2012)
Language: English
ISBN-10: 0486200493
ISBN-13: 978-0486200491
Product Dimensions:
5.4 x 0.7 x 8 inches
Shipping Weight: 14.9 ounces (View shipping rates and policies)
Average Customer Review:
3.5 out of 5 stars
5 customer reviews
Amazon Best Sellers Rank:
#956,458 in Books (See Top 100 in Books)
Perhaps the title should have been "The Art and Artists ..." No matter, it's a good one anyway.First published in the 1920s, this gives a lively, opinionated view of the etching process and art. The first half of the book is about the technique, tools, and materials of the etcher. It's strong on recipes for grounds, and good about basic technique. It's a bit vague about the press and about pulling an impression, and doesn't cover the range of etching processes that other how-to books do, however. Drypoint is mentioned, and Lumsden gives an uncommonly good description of how a drypoint mark is properly made - or improperly.The next section of the book is a whirlwind tour of the history of etching, from the late 15th century up to Lumsden's present day (ca. 1925). A few artists get special attention, notably Rembrandt, Durer, and his beloved Whistler. I fault this only for the indifferent quality of the reproductions - here, as in the how-to section, the images are too blurred for the real character of each print to stand out. The last 60 pages or so include one- and two-page notes by Lumsden's contemporaries. These are especially interesting for their details of materials, etchants, and etching schedules. I know of no other source that goes into such detail about the etching time need for marks with up to about a dozen different intensities.The historical notes are good, but the how-to section is decidedly dated. The first person tone of the book is unique, though, as are some of the historical and practical notes. This isn't the first book for a print-lover or -maker, but certainly has a place in any collection on prints and printmaking.//wiredweird
Amazing text. Still incredibly relevant today. The only downside is that a lot of the chemicals are dated but the processes largely remain the same. Lumsden did a really nice job of remaining subjective and explaining each process for what it is.
This book is a comprehensive expose of the process and execution of etchings, providing detailed instructions, hints and materials at every stage and variety of etching. There are illustrations of materials needed and of the finished print. A useful resource.
This book's font (print size) was so small it's very difficult to read. The illustrations were poor. The information is outdated, and this book should only be purchased by someone with excellent vision who wants a historical view of outdated ethching methodology.
This was the foundational reference I used in college in 1962 and it remains as a classical "must" for any artist's reference library.
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